(big-media, no local singer songwriters edition)
Remember, this is a "favorite songs" list, so this is very subjective, and one that skews heavily toward rock, indie, etc.
My one rule: only one song per artist.
Humor and wit aside, my most reliable method of judging a song is, "did it give me goosebumps?" There are other criteria as well, but let's move on shall we...
RunB's Top 25 Songs Of The 2000's
HONORABLE MENTION: Too many to name, but here's a smattering in alphabetical order by artist...
Arcade Fire - "Rebellion (Lies)", Ben Folds - "Still Fighting It", Conor Oberst - "Lenders In The Temple", Fiona Apple - "Red, Red, Red", The Frames - "Happy", Interpol - "Say Hello To The Angels", Lily Allen - "LDN", Matt Nathanson - "I Saw", Modest Mouse - "Ocean Breathes Salty", My Brightest Diamond - "Something Of An End", The Notwist - "Consequence", OutKast - "Hey Ya!", Pearl Jam - "Life Wasted", A Perfect Cirlce - "3 Libras", Peter Gabriel & Afro Celt Sound System - "When You're Falling", Scissor Sisters - "Filthy/Gorgeous", The Shins - "Caring Is Creepy", Silversun Pickups - "Lazy Eye", Whiskeytown - "Sit & Listen To The Rain", Yusuf - "Thinkin' Bout You"
Okay, now the top 25...
25. Queens of the Stone Age - "No One Knows" ...A song Josh Homme will never top, a monster performance on the drums from Dave Grohl, and a guitar riff that you just can't shake.
24. Muse - "Knights Of Cydonia" ...It's this generation's "Bohemian Rhapsody". Seeing it performed live was one of the greatest pleasures I've had this decade.
23. Tegan & Sara - "Walking With A Ghost" ...Such a simple thought, expressed unambiguously, refreshing in this era of foggy metaphors in rock music. Put it next to a Shins song to see what I mean.
22. The Postal Service, "Such Great Heights" ...Such unbridled romance (with a slight tinge of melancholy) wrapped in a package unprecedented in pop-rock, with a lovely no-frills vocal from Ben Gibbard. Far superior to the Iron & Wine cover version, which is fine in its own right.
21. Leonard Cohen, "In My Secret Life" ...Even though I've become a huge fan of all his music, it was this song, from 2001's
Ten New Songs, that made me fall in love with all things Cohen.
20. Green Day, "Jesus Of Suburbia" ...Yes, boys and girls, once it was a real rock song, on a real rock album! Hehe all kidding aside, it was track #2 on 2004's
American Idiot, and it was the track that signaled, with its many movements and its very un-punk 9-minute length, that the band's
Dookie-era vacuity was over. Note the sly melodic sample of "Ring Of Fire" in the final movement. I'm a fan of "big" music, and this was the moment Green Day grew three sizes in my view.
19. Rufus Wainwright, "Go Or Go Ahead" ...When I have a record contract and unlimited resources, the album I make could very well sound a lot like Rufus's 2003 masterpiece
Want One. That CD is full of imaginative, expansive music, but this song is the one that stays with me most, for its desperate musings on love, and for its epic chorus.
18. Tool, "Schism" ...A popular modern rock song that switched 12/8 and 13/8. It had the bassline everyone wanted to play, and a lyric that showed that Maynard could write about heartbreak without blatantly violent overtones. The "between supposed lovers" portion onward is ever so powerful.
17. Sia, "Breathe Me" ...And no, not just because it was the soundtrack to the last 5 minutes of
Six Feet Under's finale. Also because the mix of delicate vocals, soft, round piano, churning cellos and pounding drums twists the figurative knife in my metaphorical chest.
16. Nine Inch Nails, "All The Love In The World" ...I love songs that feature abrupt and unexpected changes in tone, tempo, atmosphere and feeling, and this is no exception. A tense but predictable first three minutes gives way to Trent Reznor's Dance Party USA, as he adds elements one by one, layers countless vocal tracks and blows us away.
15. Yeah Yeah Yeahs, "Maps" ...From the opening looped guitar and hypnotic drumbeat, just a great song.
14. Iron & Wine, "Naked As We Came" ...I'm a fan of "we'll be together until we die, so let's think about that" songs. This was the best of that bunch from the decade, narrowly edging out Ben Folds's "Prison Food".
13. Sufjan Stevens, "Chicago" ...A song of such quality that Stevens itself thought it warranted approximately 6 billion alternate versions. I made a lot of mistakes. I made a lot of mistakes. I made a lot of mistakes. I made a lot of mistakes...
12. Ryan Adams, "Meadowlake Street" ...In many ways, to me this is the quintessential song. It builds from virtually nothing to a big hyper-romantic anthem. Adams treats this lyric with more care than he usually does (he can be platitudinous from time to time). But don't feel sad for him, he goes home to Mandy Moore.
11. Sun Kil Moon, "Carry Me Ohio" ...I could put 20 different Sun Kil Moon songs in this slot ("Floating", "Moorestown", "Like The River", "Tonight In Bilbao", "Duk Koo Kim" all come to mind), but this one takes the spot, and not (just) because of its use in
Shopgirl. The linked video has it playing over a montage of scenes from
Cowboy Bebop.
10. Wilco, "I Am Trying To Break Your Heart" ...(Note: Link goes to an especially high-quality live performance from the Lowlands Festival earlier this year) Nothing in Wilco's prior recording history set anyone up for this one. Listening to this song for the first time was akin to Radiohead fans hearing "Everything In Its Right Place" for the first time. It set the tone for its album (2002's best album
Yankee Hotel Foxtrot) and, oddly enough, due to an accident of timing was a strange emotional counterpoint to the events of 9/11.
9. Band Of Horses, "The Funeral" ...I will not hold it against them that they sold this song to a car commercial. (Note: The linked video comes from their 2007 performance at the Hollywood Bowl opening for The Decemberists. I was there!)
8. The Decemberists, "The Mariner's Revenge Song" ...Easily the best accordion-based song of the decade, perhaps in the history of pop music. And hey, I think
we played a bang-up version of it a couple years back!
7. Wolf Parade, "I'll Believe In Anything" ...Canada's answer to Modest Mouse delivered one of the best songs of the decade, with its signature almost-binary synthesizer part, it's stomping drums, and passionately-yelped vocals from Spencer Krug. Love that unexpected 4/4 outro.
6. The White Stripes, "Seven Nation Army" ...Probably the best riff of the decade, and a staple among the crowd chants heard at European football matches. (somehow)
5. Regina Spektor, "Fidelity" ...Quirky, skillful and heartbreaking all at once, a song about caution or maybe fear, love or maybe lust, fullness or maybe emptiness, music or maybe just sound.
I kept on singing love songs just to break my own fall4. The Hold Steady, "Stuck Between Stations" ...This song landed on my ears at pretty much the exact right moment in my life, so I always give it special deference. If I could drink, read and rock at the same time, this is what I'd want to hear. Not a wasted line in this song's perfect lyric.
There are nights when I think that Sal Paradise was right / Boys and girls in America have such a sad time together3. Coldplay, "Amsterdam" ...It's a beautiful tender piano ballad for the first 3 and a half minutes, but what follows is the most goosebumps-inducing sequence of music in this decade. A dirty cathedral organ joins Chris Martin's piano, grows more sonically urgent over its 16 bars, at which point the guitars and drums blast off and the song becomes an entirely different beast altogether. All with an understated, yet effective vocal melody behind it all.
I'm dead on the surface, but I am screaming underneath2. The National, "Fake Empire" ...Even though
American Idiot yelled the loudest, and Neil Young's
Living With War was the angriest, it was The National's
Boxer that best captured the mood of America's decline in the Era of Bush. Within that album, this song feels the way I felt walking around UCSB deserted campus after hours in late 2004 after the election. (after the fact, of course) As a composition, it is still full of merit; I love songs that start with piano and gradually build and add from there. The icing on the cake is the brass that comes in near the end, so unexpected and hauntingly dissonant in a way.
Tiptoe through our shiny city with our diamond slippers on / Do our gay ballet on ice, bluebirds on our shoulders / We're half-awake in a fake empireSPEAKING of songs that start with soft piano and build from there...
And the RefsUnBrendans Top Song of the 2000's IS...
1. Radiohead, "Pyramid Song" ...Honestly, I was not into post-rock Radiohead until I heard this song.
There was nothing to fear, nothing to doubtAgain, this list is, by nature, utterly subjective, so yeah, don't like it? Make your own! (: